Jason Roberts
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Die Antwoord at House of Blues Dallas

The plus one and I went to another concert tonight. That’s two shows within four days. It’s really reviving my love of seeing live music.

Tonight’s show was the South African rap-dance group, Die Antwoord. Their sold-out performance was at the House of Blues, which I’m happy to report has done away with wanding down people as they go through the doors. I never understood why they did that before, and it really irritated me. After going to one show years ago, being subjected to that treatment, and paying for overpriced drinks, I vowed to never return until they did away with the unnecessary wanding. I heard reports from friends that they don’t do that anymore, so I took a chance because I really wanted to see Die Antwoord. The reports were true, but the drinks are still way over priced.

Die Antwoord put on a great show. The crowd matched their energy, and I heard several people around singing/rapping along to almost every song. I look forward to when come back to Dallas for another show.

Die Antwoord at House of Blues in Dallas

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Posted in <a href="http://www.pimplomat.com/category/music/" rel="category tag">music</a> Tagged <a href="http://www.pimplomat.com/tag/concert/" rel="tag">concert</a>, <a href="http://www.pimplomat.com/tag/dallas/" rel="tag">Dallas</a>, <a href="http://www.pimplomat.com/tag/dance/" rel="tag">dance</a>, <a href="http://www.pimplomat.com/tag/die-antwoord/" rel="tag">Die Antwoord</a>, <a href="http://www.pimplomat.com/tag/house-of-blues/" rel="tag">House of Blues</a>, <a href="http://www.pimplomat.com/tag/live/" rel="tag">live</a>, <a href="http://www.pimplomat.com/tag/music/" rel="tag">music</a>, <a href="http://www.pimplomat.com/tag/rap/" rel="tag">rap</a>, <a href="http://www.pimplomat.com/tag/south-africa/" rel="tag">South Africa</a>, <a href="http://www.pimplomat.com/tag/texas/" rel="tag">Texas</a>

New Order Plays Palladium Ballroom in Dallas

New Order in Dallas, 2012New Order played in Dallas tonight, and it was amazing. They haven’t played here since 1993, when I saw them at Starplex with the Stereo MCs opening. A local band named Ishi opened the show tonight, and their first song was good. After the third song, though, all their drum beats were the same. Their set wasn’t long, which was good because you could tell the sold-out venue’s crowd was getting restless for New Order.

By the way, I found it interesting that Bernard Sumner was wearing a New Order t-shirt on stage. Was his laundry dirty? Doesn’t he know the rule that it’s not cool to wear a t-shirt from the same band you’re watching? Knowing the band’s career, I’m guessing he doesn’t give a crap.

The light show was fantastic, people were dancing everywhere (I had to make may way through a dance party outside the bathroom doors), and New Order even played an encore. Known for never playing encores, they surprised us by not only playing one, but playing one that featured nothing but Joy Division songs.

Below is a video from DaFunkyMex of New Order performing one of my all-time favorite songs of theirs, “Ceremony.”

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Posted in <a href="http://www.pimplomat.com/category/music/" rel="category tag">music</a>, <a href="http://www.pimplomat.com/category/video/" rel="category tag">video</a> Tagged <a href="http://www.pimplomat.com/tag/dallas/" rel="tag">Dallas</a>, <a href="http://www.pimplomat.com/tag/ishi/" rel="tag">Ishi</a>, <a href="http://www.pimplomat.com/tag/joy-division/" rel="tag">Joy Division</a>, <a href="http://www.pimplomat.com/tag/music/" rel="tag">music</a>, <a href="http://www.pimplomat.com/tag/new-order/" rel="tag">New Order</a>, <a href="http://www.pimplomat.com/tag/palladium-ballroom/" rel="tag">Palladium Ballroom</a>, <a href="http://www.pimplomat.com/tag/stereo-mcs/" rel="tag">Stereo MCs</a>, <a href="http://www.pimplomat.com/tag/texas/" rel="tag">Texas</a>

The Rewind Button: The Complete Recordings

The Rewind Button is a group blogging project that I’m participating in. We’re taking on Rolling Stone‘s Top 40 albums of all time and writing our own reviews of them.

Robert Johnson The Complete RecordingsLooking back, here’s what I know for sure
Looking in the past, here’s what I know for sure
It was Dallas, Texas, the place for recording
Looking back, that’s what I know for sure

The recording building was up for destroying
Yeah, the recording building was up for destroying
That is until its life was saved by a church
And nothing was down for destroying

Ya know, we must embrace history
I tell ya, we must embrace history
But we must embrace the essence more
Or we’ll lose all sense of history

These recordings capture rock’s soul
Yeah, these songs capture rock’s soul
Without them we’d have no one to roll with
Yeah, these songs capture rock’s soul

So, when you’re listening to them at night
Yeah, when you’re up late listening at night
Remember Johnson’s voice running from evil
And you won’t have to be afraid of the night

Please visit these other blogs participating in The Rewind Button project:

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Posted in <a href="http://www.pimplomat.com/category/music/" rel="category tag">music</a>, <a href="http://www.pimplomat.com/category/rewind-button/" rel="category tag">Rewind Button</a> Tagged <a href="http://www.pimplomat.com/tag/blues/" rel="tag">blues</a>, <a href="http://www.pimplomat.com/tag/dallas/" rel="tag">Dallas</a>, <a href="http://www.pimplomat.com/tag/rewind-button/" rel="tag">Rewind Button</a>, <a href="http://www.pimplomat.com/tag/robert-johnson/" rel="tag">Robert Johnson</a>, <a href="http://www.pimplomat.com/tag/rock-n-roll/" rel="tag">rock-n-roll</a>, <a href="http://www.pimplomat.com/tag/rolling-stone/" rel="tag">Rolling Stone</a>, <a href="http://www.pimplomat.com/tag/texas/" rel="tag">Texas</a>

The Rewind Button: Nevermind

The Rewind Button is a group blogging project that I’m participating in. We’re taking on Rolling Stone‘s Top 40 albums of all time and writing our own reviews of them. There will be a new album and review each Thursday (or there about).

Nirvana NevermindI attended Tarleton State University in Stephenville, Texas, in 1991. As any red-blooded American male, I was away from home and on the make. It was a Saturday in October, and I had two options. Drive all the way to Dallas to see some show at Trees or stay in Stephenville and go to a party out in a field. Option one featured a long drive and a crowded venue. Option two featured free beer and the opportunity to meet girls. My friend and I debated the options, and since we only knew the teen spirit song by Nirvana, I talked my friend into staying and attending the party with me.

I didn’t get laid that night. In fact, the party was pretty much all guys. Guys in a field drinking beer. Come to find out, though, I missed one of the most notorious Nirvana shows of all time, one in which Kurt Cobain got in a fight with a bouncer. The show was a crazy mess, but one I’m sure I would have enjoyed more than free beer. I’m definitely sure I would have enjoyed it more. But that’s hindsight. At the time, the slight chance to meet a girl was greater than the latest rock music revolution.

One couldn’t ignore Nirvana very much that year. They were the defibrillation to an industry whose heart was clogged full of crap. And like any good change-makers, they altered fashion as well. There are still pictures out there somewhere with me in all my flannel glory.

I’ve noticed that flannel is making a comeback. I think that’s more to do with a wish for a new rock revolution. But I’m not sure if that’s possible now, because of technology. In 1991, society consumed products through a pipe, just as it was always done. Every now and then, though, someone would come along and either widen the pipe or shatter it all together. Today, the Internet, that “series of tubes,” helps spread consumption. There’s really nothing to break anymore, because if you want to do something revolutionary, you just create another pipe or site or tube for people to find you. And people like that. I know I do. But it doesn’t make very many people superstars, or if they are stars, they’re short-lived.

Kurt Cobain died in 1994, a year before commercialization of the Internet. By then, Nirvana was commercialized, too. The band thrived at an optimal time, because there is no way they would have had the same impact on culture if they came on the scene today.

I finally saw Nirvana in December 1993. It was a crowded show, but tame compared to what others witnessed at Trees two years earlier. I regret missing that specific show, but thanks to the Internet, we can all see it now. It’s not the same as being there. But Nevermind, too, isn’t the same as when released. Its edges have soften. Its spikes have dulled a bit. It’s still a great album and warrants higher placement than No. 17 on Rolling Stone‘s list. Still, listening to it fills me with regret at choices made, both personally and as part of society’s larger decisions. For all the good technology has brought us, I sometimes still long for the days when our gods weren’t so easily available or forgettable.

Please visit these other blogs participating in The Rewind Button project:

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Posted in <a href="http://www.pimplomat.com/category/music/" rel="category tag">music</a>, <a href="http://www.pimplomat.com/category/rewind-button/" rel="category tag">Rewind Button</a> Tagged <a href="http://www.pimplomat.com/tag/1990s/" rel="tag">1990s</a>, <a href="http://www.pimplomat.com/tag/1991/" rel="tag">1991</a>, <a href="http://www.pimplomat.com/tag/dallas/" rel="tag">Dallas</a>, <a href="http://www.pimplomat.com/tag/grunge/" rel="tag">grunge</a>, <a href="http://www.pimplomat.com/tag/music/" rel="tag">music</a>, <a href="http://www.pimplomat.com/tag/nirvana/" rel="tag">Nirvana</a>, <a href="http://www.pimplomat.com/tag/punk/" rel="tag">punk</a>, <a href="http://www.pimplomat.com/tag/rewind-button/" rel="tag">Rewind Button</a>, <a href="http://www.pimplomat.com/tag/rolling-stone/" rel="tag">Rolling Stone</a>, <a href="http://www.pimplomat.com/tag/seattle/" rel="tag">Seattle</a>, <a href="http://www.pimplomat.com/tag/stephenville/" rel="tag">Stephenville</a>, <a href="http://www.pimplomat.com/tag/tarleton/" rel="tag">Tarleton</a> 4 Comments

Nervous Curtains: “Come Around Viral”

My friend fronts the band Nervous Curtains. He recently asked me to act in one of their music videos. I responded with a hearty yes and fist pump.

The video is for the song “Come Around Viral” off their album FAKE INFINITY. Thanks to Sean Kirkpatrick for letting me be a part of a fun experience.

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Posted in <a href="http://www.pimplomat.com/category/life/" rel="category tag">life</a>, <a href="http://www.pimplomat.com/category/music/" rel="category tag">music</a>, <a href="http://www.pimplomat.com/category/video/" rel="category tag">video</a> Tagged <a href="http://www.pimplomat.com/tag/acting/" rel="tag">acting</a>, <a href="http://www.pimplomat.com/tag/dallas/" rel="tag">Dallas</a>, <a href="http://www.pimplomat.com/tag/fun/" rel="tag">fun</a>, <a href="http://www.pimplomat.com/tag/music/" rel="tag">music</a>, <a href="http://www.pimplomat.com/tag/nervous-curtains/" rel="tag">Nervous Curtains</a>, <a href="http://www.pimplomat.com/tag/texas/" rel="tag">Texas</a>, <a href="http://www.pimplomat.com/tag/video/" rel="tag">video</a>

Chad Stockslager

I don’t quit easily. If I feel something or someone is worth fighting for, I stay till the end. Maybe it’s the competitive nature in me, or maybe it’s because I feel everyone is worth a second (or third) chance. More often than not, it’s mainly because I want to see my friends succeed and not let their talents atrophy.

Chad Stockslager is one of those friends of mine. He’s an extremely talented songwriter who currently plays in the band The Drams.

Posting these two solo songs is my effort to let the world know about Chad. If you like the songs, please write and encourage him to get off his ass and release a proper album.

I recently put “The Last Time” on a mix CD, which has yet to find its way to that person. The lyrics…well, let’s just say they fit.

The Last Time

“She Knows” features the talented Sara Radle on backing vocals.

She Knows

(If you have any trouble downloading these songs, please let me know.)

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Posted in <a href="http://www.pimplomat.com/category/music/" rel="category tag">music</a> Tagged <a href="http://www.pimplomat.com/tag/dallas/" rel="tag">Dallas</a>, <a href="http://www.pimplomat.com/tag/music/" rel="tag">music</a>, <a href="http://www.pimplomat.com/tag/piano/" rel="tag">piano</a>, <a href="http://www.pimplomat.com/tag/songwriting/" rel="tag">songwriting</a>, <a href="http://www.pimplomat.com/tag/talent/" rel="tag">talent</a>, <a href="http://www.pimplomat.com/tag/texas/" rel="tag">Texas</a>