The Rewind Button: Ramones

Ramones - Ramones

The Rewind Button is a group blogging project that I’m participating in. We’re taking on Rolling Stone‘s Top 40 albums of all time and writing our own reviews of them.

Have you ever been told to drink water or eat salad to cleanse your palate between dishes? Ramones is my palate cleanser. After weeks of albums that have been so-so for me, the Ramones offer me refreshment with their debut album. In fact, I’d rather just have it for a full meal.

While a lot of the artists reviewed in this project have presented great examples of expanding what an artist can do with pop/rock music, the three-chords-and-the-truth of the Ramones is more appealing to me than making an artistic statement. Okay, okay, sure,  they were making a statement when they chose this route. I’ll admit that. And I’ll admit that I prefer it over seven-minute Dylan songs, no matter how great the poetry is in his lyrics. I’d rather slam-dance than sit around in a circle discussing the ins-and-outs of a line.

Usually, I’m not that way. I often prefer debates and great talks deep into the evening about literature. So, what is it about Ramones that makes me prefer it over much of what we’ve reviewed from the late 1960s and earlys 1970s? It’s possible that I’ve become bored with what we’ve been listening to for this project. The Ramones offer a change of pace, something that gets my dopamine flowing. That’s exactly why this album is on the Rolling Stone list, because it shook people out of their serious stupor.

I wish more albums of this caliber were on the Rolling Stone top 40 list, because I think it would have given it variety and added some excitement to the mix. Even if the magazine doesn’t list this as a top 10 all-time album, I’m tempted to do that. Question is, do I place it above other artists’ albums that I think are better, but have been influenced by it (anyone else notice the stoner-rock rifts that come in during “Now I Wanna to Sniff Glue”?), or do I put the original influence first? It’s a question that I will think about as I get closer to the end of the list and contemplate my own rearrangement of it.

Please visit these other blogs participating in The Rewind Button project:

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Posted in <a href="http://www.pimplomat.com/category/music/" rel="category tag">music</a>, <a href="http://www.pimplomat.com/category/rewind-button/" rel="category tag">Rewind Button</a> Tagged <a href="http://www.pimplomat.com/tag/1970s/" rel="tag">1970s</a>, <a href="http://www.pimplomat.com/tag/1976/" rel="tag">1976</a>, <a href="http://www.pimplomat.com/tag/music/" rel="tag">music</a>, <a href="http://www.pimplomat.com/tag/new-york/" rel="tag">New York</a>, <a href="http://www.pimplomat.com/tag/punk/" rel="tag">punk</a>, <a href="http://www.pimplomat.com/tag/ramones/" rel="tag">Ramones</a>, <a href="http://www.pimplomat.com/tag/rewind-button/" rel="tag">Rewind Button</a>, <a href="http://www.pimplomat.com/tag/rock/" rel="tag">rock</a>, <a href="http://www.pimplomat.com/tag/rolling-stone/" rel="tag">Rolling Stone</a> 1 Comment

Why Ask Why?

Why Not? by BrendioI once had a boss that said we should always ask why three times. I never took up the recommendation to her face, but the advice has stuck with me for many years.

When you ask why questions, as opposed to how questions, you open people up to a more abstract way of thinking.

“‘Why’ questions make people think more in terms of the big picture, more in terms of intentions and goals, whereas more concrete ‘how’ questions are focused on something very specific, something right in front of you, basically,” said University of Illinois psychology professor Jesse Preston.

Preston, along with two other researchers, recently conducted a study to test abstract thinking’s influence on political beliefs. They used the Islamic community center and mosque in New York because it’s a strong polarizing issue.

The first study showed that after viewing a plane fly into the World Trade Center, conservatives and liberals held opposing views of the mosque at ground zero.

The second study, however, had participants answer three why questions or three how questions in a row on an unrelated subject before offering their views about the mosque.

Preston says the why questions (not the how questions) brought liberals and conservatives closer together.

“We observed that liberals and conservatives became more moderate in their attitudes,” Preston said. “After this very brief task that just put them in this abstract mindset, they were more willing to consider the point of view of the opposition.

“We tend to think that liberals and conservatives are on opposite sides of the spectrum from each other and there’s no way we can get them to compromise, but this suggests that we can find ways of compromising,” Preston continued. “It doesn’t mean people are going to completely change their attitudes, because these are based on pervasive beliefs and world views. But it does mean that you can get people to come together on issues where it’s really important or perhaps where compromise is necessary.”

Asking why questions isn’t limited to politics. It can be used in the workplace, too, granted that you have a supervisor who is open to other viewpoints. The best ones are open and will have good answers for all three of your why questions.

And if they don’t, continue asking why.

BONUS: Here’s a clip from Lucky Louie showing that by asking why one can really get to the true reason behind something.

(Story quotes from the University of Illinois. Image via Flickr: Brendio / Creative Commons.)

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The Rewind Button: The Velvet Underground and Nico

The Rewind Button is a group blogging project that I’m participating in. We’re taking on Rolling Stone‘s Top 40 albums of all time and writing our own reviews of them. There will be a new album and review each Thursday (or there about).

The Velvet Underground and NicoMy first band, Kilted Yak*, ended a lot of our shows with a cover of “Sister Ray.” We chose that song because Joy Division used to cover it, and we were obsessed with White Light/White Heat, the Velvet Underground’s second album.

I didn’t bother listening much to the band’s first, self-titled album. I wanted the chaos and noise of their second album, not the prettiness of Nico’s voice glossing over Lou Reed’s tales of dirty streets and deeds. Over time, though, The Velvet Underground and Nico has become a regular rotation in my personal playlist.

The songs sound familiar, and they never get old. They don’t sound dated. I suspect this album will sound as relevant 500 years from now as it is today, because there is no expiration date on humanity’s obsession with sex and life’s underbelly. As long as we have rebels, we’ll have people influenced by this album, wanting to emulate it, wanting it for the soundtrack of their lives.

Dave Lefebvre, over on MusicQwest, says he feels cool listening to this album. I do, too. Great albums have swagger that jumps from the songs into the listener, giving him a feeling of invincibility. Let me listen to some Velvet Underground, and I won’t take shit from anyone.

On my recent vacation, I found myself in a Copenhagen bar called Floss. It’s a small, narrow bar upstairs, with a young, party-worn clientele. But make your way to the back and down the spiral staircase. There you will find a huge room housing pool tables and sofas beneath a haze of cigarette smoke. This is the place for an album like The Velvet Underground and Nico. Put it on repeat, grab a two-dollar Tuborg beer and chalk your cue stick. You’ll feel like the world’s coolest person, no matter who you really are.

*Who can guess where our band name came from?

BONUS: Check out this bootleg, Live at End Cole Ave., a 1969 Velvet Underground show from my city, Dallas.

Please visit these other blogs participating in The Rewind Button project:

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