The Rewind Button: The Complete Recordings

The Rewind Button is a group blogging project that I’m participating in. We’re taking on Rolling Stone‘s Top 40 albums of all time and writing our own reviews of them.

Robert Johnson The Complete RecordingsLooking back, here’s what I know for sure
Looking in the past, here’s what I know for sure
It was Dallas, Texas, the place for recording
Looking back, that’s what I know for sure

The recording building was up for destroying
Yeah, the recording building was up for destroying
That is until its life was saved by a church
And nothing was down for destroying

Ya know, we must embrace history
I tell ya, we must embrace history
But we must embrace the essence more
Or we’ll lose all sense of history

These recordings capture rock’s soul
Yeah, these songs capture rock’s soul
Without them we’d have no one to roll with
Yeah, these songs capture rock’s soul

So, when you’re listening to them at night
Yeah, when you’re up late listening at night
Remember Johnson’s voice running from evil
And you won’t have to be afraid of the night

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The Rewind Button: The Great Twenty-Eight

The Rewind Button is a group blogging project that I’m participating in. We’re taking on Rolling Stone‘s Top 40 albums of all time and writing our own reviews of them.

Chuck Berry The Great Twenty EightI used to think I wanted to write professionally about music. The Rewind Button project helped me discover that I don’t want to do that. I’m enjoying this; however, I prefer listening to music rather than deconstructing it. The Great Twenty-Eight by Chuck Berry is a perfect example of this feeling.

Listening to this album makes me want to dance. It’s fun, and my foot can’t stop tapping. Sure, some of the songs have the same beat, but I don’t care, because its energy overwhelms any stagnation. The piano trills, that stand-up bass, those blues-based chord progressions…this is rock-in-roll to me. This album should be in the top 10 of Rolling Stone‘s list.

We’re halfway through our list, and I’m not going to stop reviewing the albums. But I am going to stop beating myself up for not offering an intellectual discussion of the albums. Some of these don’t warrant that. Some of them are pure emotion. The Great Twenty-Eight is one of those.

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The Rewind Button: Thriller

The Rewind Button is a group blogging project that I’m participating in. We’re taking on Rolling Stone‘s Top 40 albums of all time and writing our own reviews of them.

Michael Jackson ThrillerMichael Jackson’s Thriller album brings up so many memories that an objective critique of it is impossible. So, instead of a proper review, I thought I’d list some of those memories.

I named my pet Siberian Husky dog Thriller, because of the album. He was a good dog who had a love of eating toads. I buried him in my backyard.

I begged my grandparents to buy me a faux red-leather Michael Jackson jacket (the kind he wore in the video for “Thriller”) at J.C. Penney. I wore it a handful of times, and it still hangs in a closet at my grandfather’s house.

I stayed glued to MTV to watch the “Thriller” video, the short movie version. It was an event that proved music videos could be much more than people standing around singing in a studio.

To this day, the moonwalk is one of my better (maybe only) dance moves. Though, I can do the leg shake thing kind of well, too.

“P.Y.T.” was a track that my friends Jonathan and Hank and I use to sing along to all the time in a field out behind my house.

My friend, Matt, played me Weird Al Yankovic’s parody “Eat It” for me on a blue cassette tape. You mean you can get blue cassette tapes?! My middle school mind was blown.

To this day, I still like to say “I’m a lover, not a fighter” from the single “The Girl is Mine.”

On my own Rolling Stone list, Thriller is a Top 10 album. Any album that can generate so many memories for you should always be in your top list.

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The Rewind Button: Astral Weeks

The Rewind Button is a group blogging project that I’m participating in. We’re taking on Rolling Stone‘s Top 40 albums of all time and writing our own reviews of them.

Van Morrison Astral WeeksThe air conditioning in my house is not working properly at the time of this review. It’s 105 degrees Fahrenheit outside and 90 degrees inside. This causes me great irritation.

Listening to Astral Weeks does not help. I think, and I’ll have to go back through these reviews, it may be the worse album I’ve listened to so far. Van Morrison’s vocals grate my ear drums. The music is better suited for wakes. Listening to the whole album is an exercise is patience. Saying that, I believe if “Beside You” would have been an instrumental, it would have saved this album from my personal trash heap.

As with anything that I don’t enjoy, I like to figure out why. Perhaps it’s the song lengths. I’m more pop, get in and get out. Maybe it’s the vocals. Actually, I’m sure it’s the vocals. Van Morrison’s vocal style reminds me of Eddie Vedder’s years later. I never cared for Vedder’s vocals either.

Astral Weeks may grow on me with age. That would mean, though, that I’d have to listen to it. Right now, I can barely stand to look at it.

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The Rewind Button: Born to Run

The Rewind Button is a group blogging project that I’m participating in. We’re taking on Rolling Stone‘s Top 40 albums of all time and writing our own reviews of them. There will be a new album and review each Thursday (or there about).

Born to Run by Bruce SpringsteenI’m a week behind in contributing to this review project. Not keeping up with it makes me a little anxious. I hate getting behind.

Behind is how I feel about Springsteen (do we even need to say his first name anymore?). It appears that “real music” lovers place him in the hall of gods. I’ve never felt that way, and that’s because I never really listen to his albums.

I remember when Born in the U.S.A. came out and it was cool to love America again. “Dancing in the Dark,” “Glory Days,” and “I’m On Fire” were instant classics. After that album, though, I never looked into hearing more Springsteen songs.

Now I’m listening to Born to Run (Springsteen really likes the word “born.”). It’s bombastic, swelling, and energetic. It makes me want to pump my fist in the air. I can hear why people gravitate to Springsteen’s songs. For most of them, they make you feel alive. You can hear the fun Springsteen is having in playing the songs. He’s not just singing to entertain you. He’s doing it because he knows no other way to live.

My favorite songs on the album are the title track and “Thunder Road.” In fact, I’ve listened to “Thunder Road” the most off this album, because I love its melody.

But does Born to Run make me want to listen to other albums by Springsteen? No. Even with its energizing properties, I’m happy to listen to just it, and at that, just a couple of songs. And that’s plenty enough to satisfy me.

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The Rewind Button: Nevermind

The Rewind Button is a group blogging project that I’m participating in. We’re taking on Rolling Stone‘s Top 40 albums of all time and writing our own reviews of them. There will be a new album and review each Thursday (or there about).

Nirvana NevermindI attended Tarleton State University in Stephenville, Texas, in 1991. As any red-blooded American male, I was away from home and on the make. It was a Saturday in October, and I had two options. Drive all the way to Dallas to see some show at Trees or stay in Stephenville and go to a party out in a field. Option one featured a long drive and a crowded venue. Option two featured free beer and the opportunity to meet girls. My friend and I debated the options, and since we only knew the teen spirit song by Nirvana, I talked my friend into staying and attending the party with me.

I didn’t get laid that night. In fact, the party was pretty much all guys. Guys in a field drinking beer. Come to find out, though, I missed one of the most notorious Nirvana shows of all time, one in which Kurt Cobain got in a fight with a bouncer. The show was a crazy mess, but one I’m sure I would have enjoyed more than free beer. I’m definitely sure I would have enjoyed it more. But that’s hindsight. At the time, the slight chance to meet a girl was greater than the latest rock music revolution.

One couldn’t ignore Nirvana very much that year. They were the defibrillation to an industry whose heart was clogged full of crap. And like any good change-makers, they altered fashion as well. There are still pictures out there somewhere with me in all my flannel glory.

I’ve noticed that flannel is making a comeback. I think that’s more to do with a wish for a new rock revolution. But I’m not sure if that’s possible now, because of technology. In 1991, society consumed products through a pipe, just as it was always done. Every now and then, though, someone would come along and either widen the pipe or shatter it all together. Today, the Internet, that “series of tubes,” helps spread consumption. There’s really nothing to break anymore, because if you want to do something revolutionary, you just create another pipe or site or tube for people to find you. And people like that. I know I do. But it doesn’t make very many people superstars, or if they are stars, they’re short-lived.

Kurt Cobain died in 1994, a year before commercialization of the Internet. By then, Nirvana was commercialized, too. The band thrived at an optimal time, because there is no way they would have had the same impact on culture if they came on the scene today.

I finally saw Nirvana in December 1993. It was a crowded show, but tame compared to what others witnessed at Trees two years earlier. I regret missing that specific show, but thanks to the Internet, we can all see it now. It’s not the same as being there. But Nevermind, too, isn’t the same as when released. Its edges have soften. Its spikes have dulled a bit. It’s still a great album and warrants higher placement than No. 17 on Rolling Stone‘s list. Still, listening to it fills me with regret at choices made, both personally and as part of society’s larger decisions. For all the good technology has brought us, I sometimes still long for the days when our gods weren’t so easily available or forgettable.

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The Rewind Button: Blood on the Tracks

The Rewind Button is a group blogging project that I’m participating in. We’re taking on Rolling Stone‘s Top 40 albums of all time and writing our own reviews of them. There will be a new album and review each Thursday (or there about).

Bob Dylan - Blood on the TracksI’m sick of Dylan. Specifically, I’m sick of Blood on the Tracks. It’s the first album of this project that I couldn’t wait for it to finish so I could listen to something more agreeable with me.

After multiple listens, I still find it tedious and plodding. It doesn’t move me, and I feel no connection to it. Perhaps it’s one of those albums that I’m not ready for in my life. That’s happened before. Ten years from now I may declare this the best album humankind has produced. I’m allowed to change. But for now, I’m going to switch this one off and listen to something else, something that inspires a creative impulse in me. Blood on the Tracks makes me want to shut down and shut out the world.

Maybe that’s what it’s meant to do.

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The Rewind Button: Are You Experienced

The Rewind Button is a group blogging project that I’m participating in. We’re taking on Rolling Stone‘s Top 40 albums of all time and writing our own reviews of them. There will be a new album and review each Thursday (or there about).

Are You Experienced by The Jimi Hendrix ExperienceAre You Experienced is another album in this series of reviews that I’ve heard so much that it’s become second nature to me. Without blinking, I can tell you where the guitar solos start, sing along to the lyrics, and play air drums like a pro. I guess I should thank my family for having such great music around as I grew up.

Still, there are some songs on Jimi Hendrix’s album that aren’t as memorable to me as such classics as “Hey Joe,” “Purple Haze,” or “Foxy Lady.” It’s not that these songs aren’t any good. I just haven’t given them the proper respect as others. I like the way “Love or Confusion” is balanced in its chaos by the mellow and soulful “May This be Love.” “Third Stone From the Sun” is the seductive lead-up to the carnality of “Foxy Lady.” Finally, “Red House” is the perfect closer to an album that makes you sweat and see visions over and over again. It holds you and says you’re back home, that all these songs come from the same root.

It’s a grod (halfway between great and good) album for me. I don’t normally reach for it to listen to for pleasure, but I don’t turn off the songs when they come on the radio, either. And most of the time, I’d rather hear The Cure’s cover of “Foxy Lady” if given the chance.

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The Rewind Button: Abbey Road

The Rewind Button is a group blogging project that I’m participating in. We’re taking on Rolling Stone‘s Top 40 albums of all time and writing our own reviews of them. There will be a new album and review each Thursday (or there about).

Abbey Road by The BeatlesListen, I love The Beatles. It makes me happy to see so many of their albums in the top 20 of Rolling Stone’s Top 40 albums of all time list. But being a fan of a band has its consequences. When I start to write about them, I struggle with what to say.

Because I’ve listened to their music for so long, I’ve become numb to it. No, this isn’t saying their songs don’t affect me. What I’m saying is that they’ve become so much a part of my life that I rarely give a second thought as to why I like them. It would be like me trying to go into detail why I like my right arm. I just do. It’s always been there for me. It helps me through life. Sure, I could survive without it, but having it is so much better. The end.

Stopping to consider why you like or dislike something can contribute to personal growth. But I wish you’d had asked me  20 years ago why I like Abbey Road. Then, it was more fresh on my mind. I could have told you that “You Never Give Me Your Money” is perfect until it speeds up, that by doing so it becomes a cluttered mess. I would also tell you that George Harrison pretty much owns this album with his two tracks, “Here Comes The Sun” and “Something.” I agree with Frank Sinatra’s assessment of it as “the greatest love song ever written.”

Twenty years ago I’d have more solid opinions about the rest of the album. But it’s ingrained in me now. It’s so clumped together with my being that it would be impossible to run it through a criticism sieve without destroying myself in the process.

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The Rewind Button: The Velvet Underground and Nico

The Rewind Button is a group blogging project that I’m participating in. We’re taking on Rolling Stone‘s Top 40 albums of all time and writing our own reviews of them. There will be a new album and review each Thursday (or there about).

The Velvet Underground and NicoMy first band, Kilted Yak*, ended a lot of our shows with a cover of “Sister Ray.” We chose that song because Joy Division used to cover it, and we were obsessed with White Light/White Heat, the Velvet Underground’s second album.

I didn’t bother listening much to the band’s first, self-titled album. I wanted the chaos and noise of their second album, not the prettiness of Nico’s voice glossing over Lou Reed’s tales of dirty streets and deeds. Over time, though, The Velvet Underground and Nico has become a regular rotation in my personal playlist.

The songs sound familiar, and they never get old. They don’t sound dated. I suspect this album will sound as relevant 500 years from now as it is today, because there is no expiration date on humanity’s obsession with sex and life’s underbelly. As long as we have rebels, we’ll have people influenced by this album, wanting to emulate it, wanting it for the soundtrack of their lives.

Dave Lefebvre, over on MusicQwest, says he feels cool listening to this album. I do, too. Great albums have swagger that jumps from the songs into the listener, giving him a feeling of invincibility. Let me listen to some Velvet Underground, and I won’t take shit from anyone.

On my recent vacation, I found myself in a Copenhagen bar called Floss. It’s a small, narrow bar upstairs, with a young, party-worn clientele. But make your way to the back and down the spiral staircase. There you will find a huge room housing pool tables and sofas beneath a haze of cigarette smoke. This is the place for an album like The Velvet Underground and Nico. Put it on repeat, grab a two-dollar Tuborg beer and chalk your cue stick. You’ll feel like the world’s coolest person, no matter who you really are.

*Who can guess where our band name came from?

BONUS: Check out this bootleg, Live at End Cole Ave., a 1969 Velvet Underground show from my city, Dallas.

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The Rewind Button: Kind of Blue

The Rewind Button is a group blogging project that I’m participating in. We’re taking on Rolling Stone‘s Top 40 albums of all time and writing our own reviews of them. There will be a new album and review each Thursday.

Kind of Blue Miles DavisWe finally arrive at an album that I’m not that familiar with. After weeks of artists that I grew up listening to, we’ve come to Miles Davis, and a genre of music that has never interested me in the long-term.

I attended the University of North Texas, a perennial institution of jazz studies. If I wasn’t hearing jazz in Kharma Cafe, then I was hearing in J&J’s Pizza. Unlike Nashville country, it didn’t make me run away screaming for the fall of humanity. However, I’m still unable to tell the difference between Parker or Coltrane, Peterson or Mingus. I’ve had plenty of friends try to educate me on the art’s nuances and history. Still, the music never took hold of me the way indie, goth, or punk rock did.

Listening to Kind of Blue, then, is a new experience for me. Yes, after listening to these songs again, I realize that I’ve heard them many times before. As I said, though, they never stuck.

It’s a relaxing album. I’ve been listening to as I work, letting its melodies wash under the Word documents I edit. I feel more forgiving in my proofreading due to this album. (Freelancers, send a copy of Kind of Blue in with your work.) I feel sophisticated when I hear this album. I want to reach for a Scotch and cigar. I want to go to a party out in The Hamptons on a late summer day and dance under twinkling Christmas lights hung above a wide deck that leads down on to a beach.

In all seriousness, Davis’ playing is impeccable, and I appreciate that he arrived in the studio with song sketches rather than completed scores. It’s that part of jazz, the improvisation, that appeals to me the most. Perhaps the music not sticking with me is for the best, because much like improvisation on stage, hearing the songs will seem brand new every time and I can appreciate them in the moment, just as they should be.

Please visit these other blogs participating in The Rewind Button project:

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The Rewind Button: The Sun Sessions

The Rewind Button is a group blogging project that I’m participating in. We’re taking on Rolling Stone‘s Top 40 albums of all time and writing our own reviews of them. There will be a new album and review each Thursday.

Elvis Presley The Sun SessionsThis edition is a dramatic scene featuring a conversation among music royalty in a game room.

King of Pop: You know, P., it was your hip swivels that I stole for my knee shaking.

King of Rock: The swivels, uh-huh, they were natural, not something created for show.

King of Pop: I don’t believe that. Don’t tell me that once you swiveled and heard the girls scream you didn’t swivel just a little harder the next time.

Queen of Rock: It’s not in the hips guys. It’s all in the chest, the way you shake what ya momma gave ya.

King of Rock: Another manufactured move. I’m natural. My music and moves come from my soul.

Queen of Rock: The only thing natural about you is how you naturally stole black music for your own gain.

King of Pop: That’s true! I took it back.

King of Rock: It wasn’t theft. It was a tribute, uh-huh.

Queen of Rock: What parts were tributes? The blues? The swing? Your voice?

King of Rock: All of it. If it weren’t for me, you’d be 20 years behind.

Prince of Darkness: I’m going to have to butt in here you don’t mind this crazy talk can’t we all get along and just play music or some pool?

King of Rock: I’m with him. Let’s love the music and stop picking apart who it came from.

Prince of Darkness: It really doesn’t matter in the end cuz we’re just listening to one big story with different chapters and narrators.

King of Pop: That’s the most insightful thing you’ve said in the last forty years.

Queen of Rock: It’s just that your chapter comes first when it shouldn’t.

King of Rock: Well, little darlin’, whose should?

Queen of Rock: Arthur Crudup. Bill Monroe. Kokomo Arnold. Do I need to go on?

King of Rock: I can’t help it if I had a bigger, uh-huh, stage presence than them. They should be thanking me.

King of Pop: They would if people remembered them. They’re a footnote to you.

King of Rock: Better a footnote than nothing.

Prince of Darkness: The pool table is ready let’s stop all this mumbo jumbo and play a round drinks are on me Jack Daniels anyone?

King of Rock: I got first shot.

Queen of Rock: Let me and Pop take first shot. It doesn’t always have to start with you.

King of Rock: Keep up this attitude and you’ll be out on your own.

Queen of Rock: It’d be better than following in your shadow.

King of Rock: Which you’ve taken full of advantage of.

King of Pop: Let’s take a break and relax. You know, the Prince of Darkness is correct. We’re all telling the same story. What’s it matter who started it? It’s how it ends that matters the most.

Prince of Darkness: If we keep up this criticizing like we do we’ll end it sooner than it should end let’s just play and enjoy the moment and not worry about who’s first or eleventh its all the same when you sleep at night.

End Scene

(Author’s note: Elvis’ version of “Blue Moon” floors me every time I hear it.)

Please visit these other blogs participating in The Rewind Button project:

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Posted in <a href="http://www.pimplomat.com/category/music/" rel="category tag">music</a>, <a href="http://www.pimplomat.com/category/rewind-button/" rel="category tag">Rewind Button</a> Tagged <a href="http://www.pimplomat.com/tag/1950s/" rel="tag">1950s</a>, <a href="http://www.pimplomat.com/tag/1954/" rel="tag">1954</a>, <a href="http://www.pimplomat.com/tag/elvis-presley/" rel="tag">Elvis Presley</a>, <a href="http://www.pimplomat.com/tag/rewind-button/" rel="tag">Rewind Button</a>, <a href="http://www.pimplomat.com/tag/rock-and-roll/" rel="tag">rock and roll</a>, <a href="http://www.pimplomat.com/tag/rolling-stone/" rel="tag">Rolling Stone</a>, <a href="http://www.pimplomat.com/tag/sun-sessions/" rel="tag">Sun Sessions</a> 1 Comment